There are always currents quietly bubbling under the collective consciousness – tributaries of sound that go largely unnoticed by a buying public, but for those who are tapped to the right frequencies they are as vital as any. One such current happens to be Unrock’s collaborative 12”s with the brothers Bishop. Dubbed the Saraswati Series, the collection is one that should not be overlooked, despite its low media profile. The ex-Sun City Girls have been working with a plethora of talented musicians, splitting sides and collaborating to create new worlds of acoustic and experimental stringwork. Alan has appeared under his Dwarfs of East Agouza banner, hooking up with Maurice Louca (Karkhana) & Sam Shalabi (Land of Kush, Karkhana). Richard, meanwhile has collaborated with W. David Oliphant (Maybe Mental) and the series has split sides with Chris Corsano & Bill Orcutt and Karkhana with Nadah El Shazly. No entry has been less than a whirlwind of stings and sound that dazzles with a technical prowess that’s only supplanted by entrancing melodies and thrumming harmonics.
All of this preamble brings us to the latest entry in the series which sees Richard connecting with Cul De Sac’s Ed Yazijian for collaborative pieces laced with guitar, lapsteel, tenor guitar, piano and traditional Indian instrumentation. The three untitled pieces buzz and ramble, scrape through the ceiling of nighttime temperament and bed down in a glow of ethereal beauty. The two play off of one another as a seamless soul, insistent in their approach to touching the nocturne node and setting off a thick fog of permanent midnight doused in cold humidity. The air around this record seems so still that it might shatter like thin frost on tree branches (cold despite its Indian bent). The record revels in intricate arcana that seems forever out of reach. The whole series is beguiling, but this remains the pinnacle of Saraswati so far. Fans of SRB know what to do. Get into this as soon as possible and let it wash over you regularly.